LEO
ABOUT
I started out my film and tv life designing and supplying editorial and vfx infrastructure into features and facilities but craved a little more involvement and so in 2010 I opened my freelance career edit supervising the first 3D festival broadcast, being the Isle of Wight Festival which has remained a staple ever since. With an understanding that includes both post production and acquisition (both cine and classic OB) my usual role is to understand the editorial requirements and ensure the systems and consequent workflow is in place at both the capture and edit phase of projects with a heavy lean towards fast turn around deliveries.
CREDITS
IoW Festival 2010-2022 A key tech bed for Sky so has been through lots of flavours, first 3D festival, first UHD festival, usually 3 days of long TX needing lots of onsite edit content and a very fast delivery of highlights shows along side.
Live at Worthy Farm Lockdown brought a lot of changes for me and I leant heavily on cine knowledge to deliver many of the performance streams that appeared, culminating in this one, 12 x cine performance shoots and a 6 1/2 hour film all done within 10 on-site days.
Netflix Comedy Specials Tech supervision for a number of these specials where HDR delivery is a requirement. Working on behalf ion production to ensure Netflix’ stringent capture and delivery requirements are met.
EMAs Another regular, working as the Edit Supervisor for the main show and various sub teams, usually circa 25 edits in total but main concentration is the Main Show direct team of 4 editors plus graphics team etc.
The BRITS Edit Supervisor
WHEN AT HOME
When the big broadcast shows are quiet I fill my time predominantly with mutlicam cine music shoots delivering to a variety of broadcast avenues both linear and stream based.
Get in touch.
For more information about any of our consultants or services, please drop us a line at talent@bloodynorah.com
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